Sunday, October 24, 2010

SUGARFREE SWEETENS THE MUSEUM


Sugarfree never tasted this sweet. For the Sugarfree fanatics, supporters, advocate and whatsoever, this must have been the sweetest evening they've ever tasted. Like a sugary sweet stuff, the cool venue, in a one phenomenal night of September 29, was swarmed by music hungry earthlings. And these threesome musical hot guys justly gave justice to the masses tickets' worth.

It's a potpourri of a searing hot and cold, cold and hot evening from inside out of the concert's venue, no other than the famed Music Museum strategically nestled at Greenhills Shopping Central, San Juan Metro Manila. The weather from the outside was gloomy and stormily foreboding; nonetheless it's not tough enough to arrest the evening's event. From the inside, tickets are sold out. Hungry souls are still on the queue for sits, with few more, an SRO (Standing Room Only) audience is almost done.

Just after we (together with my buddy, Romeo San Pedro) have redeemed free passes for press, just waited for few moments for the set to be opened for all those who hold admissions. Of course guys with defined tasks are freewheeling, gets access both in the orchestra and backstage – count us in!

The event was commenced respectively by the Philippine National Anthem, as spearheaded by Manila Symphony Orchestra under the baton of Chino David (also a violinist of the band Silent Sanctuary). Without much ado, the big night for Sugarfree starts rolling, with audio-video presentation, televised and well documented. A generous applause roared and reverberated the peopled venue as the threesome presence of the band members individually sprouted from somewhere else.

Ebe Dancel (the group's lead vocal) pulled the first string together with his appealing presence, which keeps the crowd stirred up to the top of their lungs. Backed by another members Jalton Taguibao (on base) and the recent to their fold, Kaka Quisimbing (on drums) together with the strings and winds ensembles of the Manila Symphony Orchestra, off they go rocking the night keeping us hot and elated despite the centralized air conditioning system of the hall.

To immortalize the night's event and for documentary-press purposes, I took a handfuls of shots with my digital studio camera, keeping a nice range, though reluctant yet to come too close. Nonetheless, I got it at least satisfactory at par with my second chance to capture live events like this.

Not far from expectations, Ebe keeps tickling the audience with his occasional antics together with their most coveted tracks such as “Burnout,” “Hari Ng Sablay,” “Kwarto,” “Telepono,” “Tulog Na” and a lot more. The audience cannot help but want more. The band relented to the sweet appeal, feeding them a revisit to their songs “Makita Kang Muli” (a TV series soundtrack for Panday), “Batang-Bata Ka Pa” ( a revival from the APO original from the album Kami nAPO Muna), “Dear Kuya” and others. All songs rendered were chunks from their three albums “Sa Wakas,” “Dramachine” and “Tala-Arawan,” which really rocks the big hall for an hour or two.

Feeling lucky and privileged participating this “sugary” musical event, we all drained the concert hall feeling stuck on our feet in a sort of a sweet-sticky awe after an explosive finale with Ebe 's hands bouncing the mid-air chanting in gratitude, “Thank you!” “Thank you!” And there goes the Sugarfree in their one big dream leaving the big hall in one sweet good night.


All is well that ends well. As the Music Museum gradually echoed in silence, me and my comrade sticks out of the venue occasionally eying and admiring beautiful gals with suggestive grins on our faces. So much for that, we assess the night bringing home the bacon as the best signature of our duty and endeavor.

♫♫♫

1017: PUTTING A BEST FOOT FOREWARD


1017 isn't suggesting an I.D. number, mobile brand or any ordinal numbers. This number as we see it, defines the newly sung music icon all the way from the fertile valley of Davao. Davao Central College was the academic point of departure of this group. Novelty songs, silly antics and pranks give funny comic relief to their listeners. Making their own things since 1998, make its own way to the Philippine music broad ways. Now jingling their own themes, laughing out loud and speaking their heart's contents on the record, it seems 1017 just got a newly culled-out proclamation of the State of Emergency.


It's more elaborate hearing from them the way they did it since the group's blueprint was wrought. Jamjam, the groups lead vocals and speaker proclaims, “banda kami dati noong high school around 1998, tapos naghiwalay kami. Ako nagpunta ako sa Cebu nag-aral. Lahat kami naghiwalay na kami nung college.Tapos nagregroup kami pagkatapos. Nagsimula kami 1st week ng March.”

Just few in a hundred that a band count on numbers as a band badge, 1017 comes out after some nominal revolutions such as “Fatal Pandisal,” “Sonic Playground,” “Flight 1017” and finally 1017. Beam-beam, the bands bassist and vocals explains further, “nagregroup kami last year March. Naghahanap kami ng pangalan ng banda. Nung panahon na iyon ay State of Emergency. Parang nagrereflect sa amin iyon kasi nasa state of emergency kami. Naka-book na 'yung bar gig pero wala pa kaming pangalan. Parang naghahanap kami ng immediate na pangalan.”

The way through here is long and winding road for them, “hirap talaga. Nagrecord kami ng demo tapos binigay namin sa kaibigan na baka may kakilala. Tapos minsan, sumasama kami sa ibang mga banda. For long years 1998 di ba? Tapos nagregroup kami,” Jamjam said. “After 1999 kasi nag disband kami. Then, ilang years walang communication. After college days, umuwi sila (some members) ng Davao. Nagkakilala kami sa college, at nagkasama sa ibang banda. Nung nagregroup kami, nagjamming, gumawa ng composition. Pero dati pa, merun na kaming mga compositions,” Beam-beam adds.


PICKING BITS FROM THE PIECES AND MORE

Why you call your album “Slot Machine” rather than a self-titled?
Yung Slot Machine, ibang-iba talaga iyon. May English dun eh. Parang kami nun, halo-halo, then after a year, nagkasama-sama ulit kami. Lahat ng kanta namin may mga stories.'Yung Charing, istorya ng kaibigan namin.Hindi sa amin 'yan. (laughs)

What are your thoughts about your first single “Charing?”
Ginawa 'yung Charing, parang ipinakita 'yung normal life. Si Charing storya s'ya ng kaibigan namin. Parang ordinary life events ng ordinary life 'yung mga nangyayari ngayon. No'ng 1st demos namin, mga Tagalog at English. Hindi pinapansin.Tapos parang may nakalimutan kami na may scene pala dun sa min. Kaya, gumawa kami ng Bisaya. Gumawa kami ng hindi lang para sa ibang lugar kundi para sa amin din.

“Attitude! Hindi lang sarili ang iisipin. Sa amin, ang ideas para sa lahat.”

“Atomic Bomb” is all about what?
Tungkol s'ya sa utot (laughs). At saka hindi s'ya political. Iyon ang misconception sa banda kasi galing kami sa State of Emergency. Wala s'yang ibang ibig sabihin. Baka pagalitan kami ni ma'am.Yung atomic bomb, utot talaga iyon, sumasabog lang na parang atomic bomb. Any song you made for just a short period? Charing. Mabilis lang sya, mga 2 oras lang.

How does it feel to have generate a new album?
May pressure. Thankful din kasi nabigyan ng chance. Grateful kami na naging part kami ng EMI at nabigyan ng chance yung music namin.

If you were to convince me to buy your album, how would you do so?
Pag bumili kayo ng album, marami kayong matututunan na lessons. Wag kang ma-inlab sa charing. (laughs). Yung ibang mga kanta namin may kalokohan din. May seryoso din naman. Tulad ng Berting. Si Berting ay under sa kanyang darling.

What are your musical influences?
Beatles, Cartel, MHPX, Ramones, Dream Theater. Nanggaling kami sa iba't ibang influences. Punk. Metal. Kaya no'ng nagstart kami, may sort of adjustment sa iba't ibang gustong music. Minsan hardcore. Minsan jazz. Wala naman talaga kaming pinipiling music. Kahit yung mga Baleleng(laughs). O kaya, Matudnila o Bisrock.

What is your opinions about music piracy?
Tutol kami sa piracy. Yung mga namimirata, malaking kasalan yan. Piracy is bad. Huwag kayo bumili ng pirated CD. Dami nawawalan ng trabaho. Kami mawawalan ng trabaho.

What is Bisrock by the way?
Bisayan Rock.'Yun 'yung bagong genres. Bisaya na rockista.

What is the hardest part in playing music?
Time at saka sumulat. Kasi 'pag sumulat ka ng kanta, hindi mo alam kailan matatapos iyan. Ako(Jamjam) 'pag sumusulat, minsan sandali lang. Minsan umaabot ng 2 linggo. Kasi minsan mahilig ako sa lalaki, joke lang(laughs).

How do you see music? Do you see it as business, career or a sort of hanap buhay?
Passion. Yung hanapbuhay. 'Yun yung urge, love namin 'to, gawin namin 'to. (One group member) Sa akin, trip lang (laughs), because love ko ang music.

“Mahirap talaga 'pag nagsisimula. Pag wala kayong trabaho, mahal yung recording. Kailangan n'yo ng pondo, ng time, ng pasensya.”

What do you think is most important, the image of the group or the image of the music?

Music. Music kasi iyon ang naririnig. Hindi naman kami nakikita sa radyo(laughs). Pero may music video nga pala(laughs). Dun din naa-appreciate ang isang banda sa kanilang mga kanta.

How do you rate your LIVE performances as of the present? Say (1-10)
Parang part of life 'yan e. Merung masa na audience, may hindi. Tutugtog ka nang hindi masa. Tipong may igagaling pa talaga. Binibigay naman namin 'yung best namin. Palaging 10. Kulang na lang tatambling kami. Gagawin namin lahat. Kaya namin mag-acrobat(laughs). Depende rin iyon. Kunwari sa Mindanao, sa Visayas, talagang overwhelming. Iba rin halimbawa sa ASAP. Ang narinig nila Bisrock. Iba rin.

Any celebrity crushes?
Nakakahiya naman. Secret lang natin ito ha. Si Maja Salvador, Ella Madrigal, sa akin si Luningning(laughs). Sa akin, crush lang ito ha, si Roxanne. Katrina Halili.

Any embarrassing moment?
(Beam-beam)Zipper! Pinik-up ko yung bass, tapos natapakan ko yung chord tumama sa akin sa jaw, hindi naman masakit, dumugo lang.(laughs). (Other member of the band) hindi kami huminto, sya lang.

Message to some aspiring bands?
Patience. Patience sa banda. Kami, marami na kaming pinagdaanan. Minsan gusto na naming tuluyan 'yung bawat isa. (laughs). Mahirap talaga 'pag nagsisimula. Pag wala kayong trabaho, mahal yung recording. Kailangan niyo ng pondo, ng time, ng pasensya. Wag madaliin. Second, hard work. Pagtiyagaan. Kung merung kulang, dapat ayusin pa. Kailangan ng focus.

What are your opinions about band disbanding as of this moment?
Attitude! Hindi lang sarili ang iisipin. Sa banda namin, ang leader, manager. Sa amin, ang ideas para sa lahat. Attitude problem ang kadalasang problem ng mga nagdidisband.

How would you entertain the thought that same thing might happen to you?
Ayaw sana naming paghandaan iyon. Pag may aalis na isa, sasama na lang yung lahat(laughs). Kunwari, aalis ako, sumama na kayo para hindi na tayo magdisband(laughs).

How do you resolve arguments among your circle?
Oo, nag-aargue kami. Hindi naman maiiwasan iyon. Para maresolve ano lang, hug. (laughs) Dinadaan namin sa tawanan na lang. Kasi halimbawa si Beam-beam, siya 'yung pinakamatanda. Siya 'yung parang kuya sa grupo. Siya 'yung may lakas ng loob. 'Pag may problem, siya 'yung pinakaunang nagsasabi na " pare, wag ganito, tama na yan.

If you were to ask me to attend your show, how would you tell me why I should be there?
Sige, Pumunta kayo sa gig. Pumunta kayo, may libre kayong kuwan...(laughs). Punta kayo, mag-eenjoy kayo. At saka kung hindi kayo pupunta, hindi niyo kami makikita. (laughs) Punta kayo. Iba yung Bisrock.

Finally, at your end. What is your message to your fans?
Kung sino man ang gustong maging part ng 1017, welcome kayo. Thank you sa inyo. Thank you sa support. Sa mga crush namin jan, sana crush niyo rin kami(laughs). Salamat sa mga bumili ng album. Sa mga hindi pa bumibili, salamat dahil bibili kayo sa susunod na araw(laughs).


♫♫♫

Thursday, October 7, 2010

JAL TAGUIBAO (BASS TALKS)


(The BASSISTS Edition)

(Jal Taguibao bassist for Sugarfree)

Another man of solid strings oozing sounds grounded out loud is Jal Taguibao. The same soul with uncompromising creativity. Sugarfree's third of the trio, he hits it low for them. It's double on the side of him. What would sound good for a three-piece band, but a double synergy of each member? That doesn't count him the least.

Catching the other side of the balance when the void's obvious for him to fill-in. “Hmmm. Because no one else was gonna play the instrument,” he commenced. Later, he would conclude things isn't the way as he sees it from a distance, he was taken by it with few inspirations over head. “And then, I realized it was such a beautiful instrument when I heard songs from Jamiroquai, Mother Earth, and Corduroy; Just 4 strings but it provides the “body” of songs; merges the drums/percussions with the vocals and guitars,” he explains.

It's plain on him. Saying less is taking really the base sides of the band. “Hahaha. Just a game face while playing. I really don’t have technique. I have very limited left hand and right hand skills. I guess, you just have to try to stick with the drums for a more solid rhythm section,” he said.

After all, most of the time you'll not only be playing for yourself, but for them taking your goods to heart. He butts-in few more noble tips, “play the correct position. Do not overplay. Think of the band first, your sound, technique and grandstanding should come last,” he elucidated.



BASE TALKS

Who are the bassist/s that you look for inspiration?
Stuart Vender, Sting, Rocco Prestia, Buddy Zabala, Rommel De La Cruz.

On influences, what bass parts were the most fun to reinterpret?
Buddy’s “Alapaap”.

What kept you interested in playing bass?
A lot of Acid Jazz, Funk, Gospel, and RnB. Motown!

What is your primary role as a bass player?
To coordinate vox and guitars with the drums. To imply backing “vocal” notes on the bass during the performances.

What kind of warm-up exercises do you do?
Stretching.

What can you tell about your plucking and picking techniques?
I’m mediocre when it comes to those. People should watch Rommel de la cruz, Buddy Zabala, Louie Talan, Karel Honasan and Myong Pacana for these techniques.

What are some of the things that have influenced your sound?
A few Hip Hop and RnB Beats, Buddy Zabala, A lot of Ambient and Chill basslines, And Motown!

What do you think makes great bass lines?
Melody, Appropriateness and placement of the line, and right hand technique (muting).

Do you play pick?
Rarely.

How do you view the role of the bass in your music?
Complementary to all the instruments in the band and the vocals. You can’t overdo playing the bass. We are a band.

What part of your bass playing are you experimenting with the most?
Melodies.

What's one of your greatest strengths as a bass player?
Hmm…overall arrangement and placement of the lines to stress the dynamics of the band and the other elements in a song.

What have you learned from your years of playing bass?
Ergonomics. Play in the proper position or you’d get injured the way I was injured recently. If you want to play the bass for a long time, start with the correct position.

How has your playing attitude changed over the years?
You get to learn and watch how other people excel in it. Then you get challenged, inspired or discouraged. If you really love doing it, you’d want to keep doing it; learning shouldn’t stop.

Where do your bass lines come in when recording an album?
Depending which track is first recorded; usually after the recording of the drum tracks. But that changed in the last album.

How has your bass style evolved through the course of your band's career?
From simple to “simpler”. As a band, you have to think of the placement in the arrangement of the other elements. Since Sugarfree is “lyrics-oriented” the bass, and all the other instruments should highlight the vocals.

How did your live playing differ from your studio approach?
You get to take time to think during the studio recording. Live, you play by adding instinct to routine.

Which one of your songs gives you the biggest thrill when you're up there on stage?
Tulog na.

What's something you've learned lately, either on the road or in the studio?
Smile. Even when you’re down. On stage and off stage. Smiling, even forcibly, can, to an extent change your point of view more positively.

Is there a certain sound that your listeners have come to expect from your band?
Hmmm I really don’t know.

What musical concepts have you had to learn the hard way?
Consistency of odd time signatures, syncopation and interpretation of songs through arrangement (dynamics)

What non-musical thing inspires you the most?
Food!

What are your preferences when buying bass guitar?
Sound, weight and maintenance issues.

What are your favorite songs from any of you band's albums that incorporate your bass techniques?
Tulog Na.


♫♫♫

BUDDY ZABALA (BASS TALKS)



(The Bassists Edition)

(Buddy Zabala bassist for Eraserheads/The Dawn)

An iconic figure in comrade with the icon himself, Ely Buendia. Gone were the days when Buddy Zababa of the then Eraserheads had been plucking his bass strings audible and loud enough that “Huling El Bimbo” is almost done. He has been a long-time bass player of a phenomenal rock act that draws indelible marks on OPM history.

After the glorious days with Eraserheads, he finds himself extending his creative tentacles to his new band “The Dawn.” Spawning his talent – in base particularly – seems to define what a buddy of music he is. This time at our anniversary issue, he's doin some!

What he expects in life is to play piano and synth, little did he know that he would, at the outset, be playing and enjoying bass guitar 'till his hands bled. “I always thought that upon joining a band I’d play piano and synth. Little did I know that the bands I wanted to play for needed bass musicians more. So, lucky me,” he commenced.

Bass musical charisma has its definitive influence and characteristics on all others which Buddy himself thought he was in love with, “bass instruments in modern music seems to have a powerful influence on the vibe and feel of a song. It’s not influential in an obvious way, the way drums are at first hearing. It’s more understated and has a way of growing on you. Yeah, I love playing the bass,” he asserts.

Nobler in this is that his knowledgeableness of his responsibility as a bassist to his fellow band mates and a brother at the same time. “I’m supposed to help keep the time and anchor the music to a certain key or harmony. Groove and vibe are other jobs bass players have to aspire to,” he explains.


BASE TALKS

Who are the bassist/s that you look to for inspiration?
Jaco has got to be the most-mentioned, quoted bassist out there. It’s too bad that he isn’t alive anymore. Try to imagine the kind of music he’d be making today! Louie Talan, Rommel de le Cruz, Meong Pacana, Colby de la Calzada are some of the talented and hard-working bass players in Manila whom any bassist should look to for inspiration. Cynthia Alexander, Dondi Ledesma, Angelo Villegas, Mally Paraguya… the list goes on.
Just go to a local bar/venue and check them out if they’re in town.

On influences, what bass parts were the most fun to reinterpret?
For me, the most fun part of getting into a musician’s mind is trying to imagine how he/she came up with that particular bass line or passage of music. That way it’s easier to reinterpret o play around with an existing piece.


What kind of warm-up exercises do you do?
I’ll do scales slowly a few minutes before a gig. You have to make sure that both of your hands are working, um, hand in hand.

What's the heart of your technique?
Oh, just keeping an open mind, or in this case ear, is enough for me. You never know what’s going to happen onstage. Being ready for anything is best. And breathing properly is of utmost importance, this gem of advice I got from Cynthia Alexander. I’m still learning that one.

What can you tell about your plucking and picking techniques?
Make sure that when you pluck or pick the string, your fretting hand has to make its own action of striking the note. That way, you’re maximizing the amount of tone.

What are some of the things that have influenced your sound?
I have started using smaller gauge strings.

What do you think makes a great bass line?
I enjoy playing a great bass line as much as the audience who hears and reacts to it. That musical passage must evoke a certain feeling from both the performer and listener

Do you play pick?
Yes, please.

How do you view the role of the bass in your music?
Bass makes things vibrate, it moves people.

What part of your bass playing are you experimenting with the most?
Note length, I guess. Shorter notes seem to work better in small, enclosed venues.

What's one of your greatest strengths as a bass player?
I’d have to say – having an open ear, and being ready to go where the band needs to go.

What have you learned from your years of playing bass?
Making music is fun! That’s why we get into it in the first place.

How has your playing attitude changed over the years?
Holding down the groove has become more important than showing off.

Where do your bass lines come in when recording an album?
They come in right after the drums. 1,2,3,4…

How has your bass style evolved through the course of your band's career?
Less is more. I’ve been trying to apply that to number of notes I play in a song.

How does your live playing differ from your studio approach?
Live, it’s 1234 boom! No going back. In the studio, you can overdub and take your time.

Which one of your songs gives you the biggest thrill when you're up there on stage?
It’s usually the song I’m playing for the first time, the one I’m least familiar with.

What's something you've learned lately, either on the road or in the studio?
Digital equipment have low tolerances for low voltage or power surges. They tend to act up in the middle of a performance.

Is there a certain sound that your listeners have come to expect from your band?
I don’t know.

What musical concept have you had to learn the hard way?
Keeping time takes a lot of practice.

What non-musical thing inspires you the most?
People inspire me the most.

What are your preferences when buying a bass guitar?
I have to like the way it looks first, the way it makes a sound, and then the way it feels.

Your tips when playing bass guitar?
Practice makes perfect. Performing is fun! Keep it light. It’s just music, eventually.


♫♫♫

JAPS SERGIO (BASS TALKS)


(The BASSISTS Edition)

(Japs Sergio bassist for Rivermaya)

Another undisputed bass guitar player of all times on our rock and roll scene is Japs Sergio of the mainstreaming band Rivermaya. He's apt to share his genius about bass stuff or something.

Meanwhile Japs Sergio thought that he must have made the right choice about it. It's not all about comfort zone, wherein he is at ease about playing such instrument. It's all about the power of the right choice he is doing here.

Rivermaya has been his jump-start at taking bass at the crux of his life. “I started taking the bass seriously when I joined Rivermaya. ‘Di talaga ako bahista before,” he started. It couldn't be his actual cup of tea but as long as it sweetens his real one, it's all about rock and roll now, and it's all for Riveramaya, he clears, “actually, up to now I don’t really consider myself as a true bass player. I’m the guy who plays the bass for Rivermaya. Labo ba? Anyway, that’s how I see it."

Now, it's all about him and what he does to the band that matters, beside the brotherly camaraderie they used to share in and out of the band. Doing his oomph to the band, and it's almost done. “I’m part of the rhythm section. Together with the drums we give the music the oomph it needs, the body, the low end, the glue to all the beautiful madness going on,” he asserted.

For the trying hard and wannabees just do the move for these simple things in a base, “keep it steady and simple,” is all it takes to gain more out of less.


BASE TALKS

Who are the bassist/s that you look for inspiration?
I’m a Paul McCartney fan. Sino pa ba? Colin Greenwood of Radiohead, Sting, Peter Hook of New Order. Locally, sila Buddy and Louie Talan. I’m sure madami pa akong nakalimutan but these guys are on top of my list.

On influences, what bass parts were the most fun to reinterpret?
Bass lines ng mga electronic music especially the down tempo trip hop types. Paulit-ulit na steady na groovy na mismo. Yeah!

What kept you interested in playing bass?
Steady kasi y'ung bass eh. Match kami. I remember a long time ago (nagse-session palang ako sa ‘Maya) tinanong ako ni Rico (Blanco) kung mas comfy ba ako sa guitar or bass guitar. I think I made the right choice.

What kind of warm-up exercises do you do?
Before a gig? Stretching, stretching.

What's the heart of your technique?
Steady lang.

What can you tell about your plucking and picking techniques?
Steady lang din.

What are some of the things that have influenced your sound?
Electronic music, british music, mga babaeng bahista like Kim Gordon, Kim Deal, D’arcy, etc.

What do you think makes a great bass lines?
Whatever fits the music as a whole. I’m not really that much of a fan of technical playing. Probably because I don’t really know how to do technical stuff but mostly because I prefer the creative, unorthodox approach.

Do you play pick?
Pick and finger style.

How do you view the role of the bass in your music?
Same answer as the primary role of the bass question.

What part of your bass playing are you experimenting with the most?
Bass playing? Hmmm.. I dunno. I’m still trying to figure out how to get a good, solid sound though.

What's one of your greatest strengths as a bass player?
Steady lang.

What have you learned from your years of playing bass?
Steady lang. The sound is meant to glue things together not to be flashy and leave everyone behind.

How has your playing attitude changed over the years?
I dunno. Tamad parin ako mag-practice nang bass that’s why I never really became good at it. I still prefer the guitar kapag mag-isa lang ako. I’m not a good bahista role model. So kids don’t be like me ;)

Where do your bass lines come in when recording an album?
It depends on how the song is presented. When I record music on my own there are times when I challenge myself to create music starting with the bass guitar or bass synth, or drumbeats, or keyboard, etc. But normally it would start with a guitar riff then add a drumbeat, bass guitar then vocals wold be last.

How has your bass style evolved through the course of your band's career?
It has evolved for the better. I’m still not that good at it but I’m sure I’m better than how I was 7 years ago.

How did your live paying differ from your studio approach?
Sa studio, d'un mo nabubuhos lahat ng isip, isip na kailangan gawin. Kapag live, dapat masarap nalang. Rock out ka nalang. Sometimes, I tend to forget the bass lines I’ve done in the studio. Maalala ko nalang kapag marinig ko ulit y'ung recorded version. And share ko lang pala, oftentimes kasi some people would listen to the music and say, “ay ang simple naman ng bassline wala man lang slap, slap or whatever” pero minsan hindi naiisip ng iba na bago ka nakarating d'un sa gan'ung “simple” line na yon dumaan na sa filtration system y'un ng utak mo saka sa utak ng producer saka ng mga kabanda mo. It means ayun na ang overall decision na best bassline for the song.

Which one of your songs gives you the biggest thrill when you're up there on stage?
Any song regardless of who I’m playing with on stage. The people watching the show gives me the biggest thrill.

What's something you've learned lately, either on the road or in the studio?
- 1. I miss using passive bass guitars.
- 2. That we are still very much behind compared to our neighboring countries when it comes to big events, sound system set ups, etc.
- 3. I realized how hard it is for me to record using my Macbook’s monitor especially when I record in other home studios.
- 4. I still don’t know how to do slapping action on the bass.
- 5. I still prefer a 4-string bass guitar.
- 6. …And that is because nalilito pa rin ako sa 5-string bass.

Is there a certain sound that your listeners have come to expect from your band?
I think they’re more focused on the lyrics and how they relate to the music.

What musical concept have you had to learn the hard way?
Madami akong di pa rin natututunan talaga. I don’t even know any scale except for the do–re-mi.

What non-musical thing inspires you the most?
Life and love.

What are your preferences when buying bass guitar?
Basta ayus tunog, mismo ang action para sa akin, maganda ang itsura.. y'un na yon! Although almost all of my bass guitars were given to me. Isa lang ata binili ko talaga, acoustic bass pa.

What are your favorite songs from any of you band's albums that incorporate your bass techniques?
All of them. But I love the bass line of Ethnic Faces’ “Golden Boy” .. Mismo! We have a version of that song sa Isang Ugat, Isang Dugo album.

As the bassist, how do you see your role in your band?
Ako lang ba or parang de ja vu itong question? Heehee. Anyway, same answer ng role of the bassist question above.


♫♫♫

KELVIN YU (BASS TALKS)



(The BASSISTS Edition)

(Kelvin Yu bassist for Itchyworms)

Many rises to top of the rock and roll arena, but few were left standing for their cause. This is what Itchyworms did for the solid decade that they're still on their feet. Kelvin Uy, on his base part would tell us how he did his own role with Itchyworms bringing their musical ground on solid state.

His versatility on instruments led him to playing the bass when one of their members, which is a bassist, left the band. “I was originally the guitarist of the band, and when our bassist left, the plan was for me to play bass until we found a suitable replacement. When we stumbled upon Chino, ang galing niya mag-gitara eh, so kinuha namin siya to play guitar, and ayun, na-stuck ako sa bass,” he asserted.

Tandem with the drums, jingles all the way for Kelvin when he is to play it with his universal playing technique, “when I play I just make it a point na kabit kami ng drummer para okey sa alright ang tugtugan, he asserts.” He further hints that comradeship with the drummer is the best way to define and bass line smooth and easy. “Always remember na dapat mag-partner kayo ng drummer, alam niyo dapat ang ginagawa ng bawat isa, para kabit ang tugtugan niyo, para okey sa alright,” he adds.

He knows at both ends of a string where should the base will sound to get into the jam. “In our type of music I guess y'ung role ng bass is to complement the guitars and drums sa mga accents and mga bagsakan sa mga songs namin,” he asserts.

At a certain thought, Kelvin would be one of best, if not the best, then the finest you could ever scout to play a tune at the base of every rock and roll platform.


BASE TALKS


Who are the bassist/s that you look for inspiration?
I like listening to Paul McCartney, Sting, and Rocco Prestia.

On influences, what bass parts were the most fun to reinterpret?
We used to do a lot of Beatles covers when we were starting out and it was always fun to play their songs kasi interesting y'ung mga bass lines.

What kept you interested in playing bass?
Mas tipid kasi ang mag-bass, bihira lang kasi ako maputulan ng strings. Y'ung mga kabanda kong gumigitara, every gig ata sila napuputulan!

What is your primary role as a bass player?
Hindi ako marunong mag-slap or mag solo eh, so d'un lang ako sa background.

What kind of warm-up exercises do you do?
I do a lot of yoga, abdominal exercises, mental crunching, and neo Middle Eastern meditation methods. Kung walang oras para gawin y'un, kakain nalang ako ng madami hanggang ma-empacho ako.

What can you tell about your plucking and picking techniques?
Bulok y'ung technique ko. I have no plucking or picking technique to speak of.

What are some of the things that have influenced your sound?
One of the first bands that I really listened to were the Beatles, and from there nag explore na ako ng iba’t ibang mga klaseng tugtugan, rock, pop, hip-hop, r & b, open ako sa lahat ng klaseng music (except country siguro), kasi nakakapulot ako ng mga ideas na puwedeng ma-apply sa mga songs namin.

What do you think makes a great bass line?
For me, a great bass line is simple and may recall sa listener, and kahit simple lang siya, kulang na kulang y'ung kanta kung wala y'ung line na y'un.

Do you play pick?
I used to play with a pick when I was starting out, pero sandali lang, kasi nahirapan ako. I sometimes use a pick during recordings pag gusto kong medyo may attack at lutong ang sound ng playing. Mas masarap kasi talaga ang feel kapag fingers ang gamit mo, mas may control ka.

What part of your bass playing are you experimenting with the most?
Sinusubukan ko mag-bass na pang kaliwete. Ang hirap masyado eh. Kaya magsisimula muna ako sa pagsipilyo using my left hand - baby steps.

What's one of your greatest strengths as a bass player?
I’m more often than not, on time sa mga gigs namin.

What have you learned from your years of playing bass?
At the end of the day, and at the end of it all, Bass is Bass.

How has your playing attitude changed over the years?
Akala ko dati na madali lang mag-bass, kasi apat lang ang strings, at paisa isa lang ang pagtugtog ng mga nota. Hindi pala ganun.

Where do your bass lines come in when recording an album?
Kapag nagre-record kami, we make it a point to record the drum and bass tracks first. Pagkatapos nun, bahala na si Batman.

How has your bass style evolved through the course of your band's career?
When we were starting out, puro Beatles lang mga covers namin, kasi y'un y'ung common influence naming apat sa banda. Eventually, nag-move on din kami towards listening to our personal influences, hindi naman kasi puwedeng puro Beatles nalang pakinggan namin. Mahilig ako makinig ng mga pop, r&b, hip-hop, jazz, soul music, at kung ano ano pa, so I guess mas marami na akong exposure as compared to when we were starting out.

How did your live playing differ from your studio approach?
Sa live enjoy lang! Sa studio siyempre kailangan mas plakado and mas metikuloso, kasi habangbuhay mo papakinggan ang album mo, so kapag may regrets ka sa mga na-record mo, well, sorry nalang, dear.

Which one of your songs gives you the biggest thrill when you're up there on stage?
I like playing the new songs from our album, “Self-Titled”, medyo nagsawa kasi ako sa mga songs na paulit-ulit naming tinutugtog when we were on the road promoting our previous album. Refreshing na tumugtog ng mga panibagong mga kanta.

What's something you've learned lately, either on the road or in the studio?
No matter what happens, don’t leave home without your vitamins! Importante 'yan!

Is there a certain sound that your listeners have come to expect from your band?
Yes. I guess kung nakarinig sila ng medyo harmony or riff based songs, naiisip ng mga listeners na kami y'un, we tend to gravitate kasi towards ganu'ng type ng music.

What musical concept have you had to learn the hard way?
Bass is Bass. Always remember this.

What non-musical thing inspires you the most?
Food…Oil based pasta, Longganisa, and Sinigang na Baboy.

What are your preferences when buying bass guitar?
I really like the classic bodies such as the Fender jazz and precision basses. Hindi ko masyadong trip y'ung mga medyo mukhang metal na shape ng body, hindi ko kasi kayang dalhin eh. Haha!

What are your favorite songs from any of your band's albums that incorporate your bass techniques?
I like “Freakout, Baby”, “Sino Ka Nga Ba?” and “Steady Lang Tayo”, both off from our 3rd album, “Self-Titled”.

As the bassist, how do you see your role in your band?
I’m the resident accountant, auditor, and Chinese bassist.


♫♫♫

DOK SERGIO (BASS TALKS)



(The BASSISTS Edition)


(Dok Sergio bassist for Pupil/Daydream Cycle)

One of the chosen few to queue for this one off special issue is Dok Sergio of the new founded band of Ely Buendia, former main vocal of the defunct band Eraserheads. Just enjoying his music thing, letting opportunity come and do what he expects to be doing on and on.

On the heart of his creativity are potpourri of emotions, kinds of songs, physical milieu and the vibes that kept him going, and everything is told in a trance state as he is taken by the song itself.

Bending like a bamboo on the flow of whatever there is to be done, he states, “kasi enjoy ako sa bass. Hindi naman ako consciously nag-decide, tipong, mag-fofocus ako sa bass, hindi. Go with the flow lang, kung ano ang p'wede kong gawin. Nagkataon bass y'ung napunta sa akin.” The dire need for his manpower and talent makes him visible on the floor as a bassist, “kasi kinailangan ang pagbi-bass ko. Y'un lang. Kung saan ako may silbi, doon ako,” he said. His conscious responsibility as a bassist caught him just below enough to give the rest of the band balance as he was taking the lower beat at the base. “Magbigay ng pang ilalim. Y'ung tumatagos sa dibdib. Y'ung magpapatibok ng puso mo,” he told with bright eyes. By namesake he is the 'base' of every instrumental rendition of the band. A band might not do well without a bass on it, as a salad wouldn't do without a pinch of salt on it. Further, “ang bass kasi ang magbibigay ng tulay na lalakaran mo, canvas na pipinturahan mo, k'warto na i-dedecorate mo, plato na kakainan mo. Para sa akin, importante iyan sa musika at sa buhay. May sense ba y'un?”

Meanwhile, Dok would just tell few simple things on going far and further for a bassist and wannabees, “hindi lahat ng complicated na areglo or bass line, maganda. May mga complicated na astig talaga, pero hindi lahat. Minsan kasi bumabangga or nakaka-limit sa iba pang kasali sa grupo.” Is saying, less is more? Few things might defy some logical scruples, since not all complected things were as good as it were obviously done with complexity.


BASE TALK

Who are the bassist/s that you look for inspiration?
Usually ang gusto ko y'ung mga groups eh. Yung na-create nila collectively at kung paano hinahawakan ng bass y'ung piyesa, y'un ang naririnig ko at ini-incorporate sa style ko. Artists like Tortoise, Pinback, Postal Service, American Football, Mew, and Blonde Redhead.

What kind of warm-up exercises do you do?
Laru-laro lang ako hanggang maging “loose” na ang mga daliri ko.

What's the heart of your technique?
May moments talaga na sobrang sarap ng tugtugan eh. Hindi siya parating nangyayari dahil sa ibat-ibang factors: kesyo pangit ang tunog, masama ang pakiramdam mo, kulang sa tulog, kulang sa alcohol, kulang sa energy, whatever. Pero kung perfect ang conditions, magtra-trance out ka nalang tapos doon na lalabas y'ung natural style mo. Auto-pilot mode ka na n'un. Minsan tingin ko y'ung emotions mo din talaga ang nagdadala eh. Positive vibes is the key.

What can you tell about your plucking and picking techniques?
I rarely use the pick, not that I don’t like it, I’m just not good with it. May character ang pick na okey, y'ung tunog ng kaskas n'ya, may mga kantang binabagayan y'un. Sa mga daliri naman, I never use my pinky finger sa pag-pluck at kalabit.

What are some of the things that have influenced your sound?
Meron akong ginagamit na gadget, y'ung sans amp. Importante siya sa tunog ko.

What do you think makes a great bass line?
I guess it’s the recall, y'ung pag naaalala mo y'ung linya. Napa-groove ka. O napasayaw. Y'un y'un

Do you play pick?
May song kami na kino-cover sa Pupil, Mrs. Robinson. I use the pick for that.

How do you view the role of the bass in your music?
Ang foundation at structure ng music ay ang bass.

What part of your bass playing are you experimenting with the most?
Sa effects siguro, minsan magde-delay ako para lang may ambient sound akong naririnig. Especially kapag feeling ko masyadong dry ang tunog, binabasa ko ng konti. Sarap lang din mag melodic trip.

What have you learned from your years of playing bass?
There’s always more to learn. You can’t stop learning

How has your playing attitude changed over the years?
Things are a lot better now especially with the technology that we have. But more or less my attitude hasn’t changed. I’m just more intelligent now. Of course it comes with age so…

Where do your bass lines come in when recording an album?
Sa sound card. Sa memory ng computer. Sa hard disk. Digital na eh. Usually after ng drum tracks, bass na and lalatag. Tapos, babaguhin ko na naman ulit ang ibang parts after ma-record ang gitara. Minsan babaguhin ko lahat after ko marinig lahat. Sayang kasi mystery ang other parts e, tapos kapag narinig mo na may maiisip kang mas babagay na linya. Eh, 'di, papalitan mo. Pati drums ginagawa y'un, although hindi kasing dali kasi mas mahirap at mas maraming kailangan i-set up kapag drums ang i-rerecord kaya bihira din siyang gawin ng drummer. Sayang oras (at pera).

How has your bass style evolved through the course of your band's career?
Dati gusto ko kumapa ng mga kantang paborito ko. Gusto ko rin aralin at i-jam y'ung mga kantang may paiba- ibang time signatures. Lalo na y'ung mga tipong ginawa sa drop “D” tuning. Ngayon ang bass lines na gusto ko y'ung magbibigay ng room for different melodies galing sa guitars and vocals.

How does your live paying differ from your studio approach?
Ang okey sa live, nadadala ka ng alon eh. Minsan, halimbawa nagkasabit-sabit, opportunity din y'un para maka gawa ng something interesting. O kaya, kapag naging extended version ang kanta, pakiramdaman na lang y'un so dapat handa ka sa mangyayari. Kapag recording naman, mas strict siyempre. Kailangan tugma lahat. Pipiliin mo ang mga parts na ilalagay. Iisipin mo kung ano ang ikagaganda ng kanta at ng overall sound ng recording.

Which one of your songs gives you the biggest thrill when you're up there on stage?
Minsan y'ung thrill galing na sa tao eh, not the songs.

What's something you've learned lately, either on the road or in the studio?
I’ve learned a few places to go to for certain things I need. I learned from Buhawi that Jacko Pastorius’ lost bass guitar resurfaced, and it was repainted and altered. Fender made a replica of it and now the replica looks more original. Buddy told me about a place in Sta. Mesa where you can have your guitar pick-ups replaced. I should go there sometime.

What are your preferences when buying a bass guitar?
Dapat walang dead spot. Maganda ang feel, y'ung swak sa kamay mo ang fretboard, at y'ung volume knobs comfortable abutin at gamitin. Ang action hindi dapat mataas. Hindi dapat nag we-weights ang daliri habang tumutugtog.

What are your favorite songs from any of your band’s albums that incorporate your bass techniques?
She Talks to Trees. All these time. Blow Your House Down. Dulo ng Dila. Teacher’s Pet. Sala.


♫♫♫

NATHAN AZARCON (BASS TALKS)



(The BASSISTS Edition)


(Nathan Azarcon bassist for Bamboo)

Get to know the man who hits the foundation of every instrumental accompaniment of a song. A guitarist by start, but since then been in-love with the four base-bass chords, E, A, D and G. He sees the universality of a bass-guitar role in the integrity of the song. He sees it in every drumbeat and in every guitar riffs that gives color to every song.

Simple philosophies do the drive for him. Where in it sounds good, find the groove and everything's done, now it's about rock and roll.

It's just as simple as looking the right thing at the right place. Or finding the right thing for the right you. He's slow at guitar chording so he turns his guile on the first four low chord strings of the guitar which are the bass parts. “Hindi ako magaling mag-gitara so nag-bass ako. Mas madali eh, four strings lang (laughs) joke lang. ‘Yun y’ung initial pero gitara ako dati. But then y'ung friend ko si Junji Lerma (Radioactive Sago Project) gitarista siya, naging kabanda ko s’ya dati. Sabi niya mas may tendency daw akong mag-focus sa mas makakapal na strings sa E, A, sa D pati sa G. Baka daw mas okey kung mag-bass ako. The fact na hindi ko kayang mag-chords, nag-bass na nga lang ako. ‘Yun pala mas mahirap mag-bass (smiles),” buffs nathan.

Nathan demonstrates the supremacy of bass people in the field of music and entertainment. Nonetheless, he starts picking up knowledge an eager loud for a bass guitar. “Kilala n'yo si Myong Pacanya? 'Yun y'ung naging mentor ko later on. Siya y'ung bahista sa Channel 2, sa Singing-Bee. 'Yung power ng bass niya sobrang lakas. That means we can dictate the note na tinutugtog ng lahat. Nagpaturo ako dati pero tinanggal nila ako lahat, hindi ko alam kung bakit. Mentor? Ngayon na lang n’ung matanda-tanda na ako.” He accommodates the thought of how a bass guitar spells its power on the jiving instruments, “let's say, kung y'ung keyboard or guitar player nasa A major 'yan kapag ako nag C, A minor na 'yun, so y'un ang power namin,” he asserts. His appeal to authority says yeah, it takes a genius for one to blow you ears with bass thing, “tingnan mo ang Beatles si Paul McCartney talaga ang siga d'un. Sa Led Zeppelin si John Paul Jones. Sa The Police si Sting and sa Red Hot Chili Peppers si Flea. Heavy weight talaga parati y'ung bahista,” he said.

Great part that makes him high with the low hitting notes he shares with the band is that, “yun na nga y'un, 'The Heart and Soul' of the band. Kapag nawala ang bahista tunog ipis y'ung banda (laughs), he said.


BASE TALK

Who are the bassists that you look for inspiration?
Sila Paul McCartney, Sting, Flea more on songwriter bass players. Si Sting kasi minimalist lang siya. Kung ano lang y'ung kailangan ng kanta. Since kumakanta rin s’ya y'ung kapag play n’ya nang bass hindi masyadong technical. Pero ang magaling sa kanya y'ung mga additive niya. Let’s say nag 5, 4, 7, 8 s’ya pero akala mo 4/4 pa rin. So y'un ang okey sa kanya. Si Flea ganun din mas more on pati funk. D'un ko unang natutunan y'ung funk, funk, funk. Lahat sila Paul, Sting and Flea y'ung genre nila from rock to funk. Ang dali para sa kanila, hindi mo maririnig or walang effort y'ung pagkalipat nila.

On influences, what bass parts were the most fun to reinterpret?
Bass parts? ‘Yung problema kasi d’yan unang-una ‘yung pinapakinggan kong music is Abba to Sabbah, masyadong malawak ‘yun. Pero kung papipiliin ako ng certain bass playing talaga d'un ako sa mga unknown like Old Motown. Hindi sila kilala masyado ganun din sina James Jamerson, I’m not sure, pero para sa akin gusto ko y'ung ganung tugtugan. Mga bahista ni James Brown, lalo na si Butch Collins.

What is your primary role as a bass player?
Ako? Supportive role lang talaga ang bass player. Kapag tiningnan mo sa buong banda akala ng mga tao wala lang. Hindi siya kasi katulad ng drummer na talagang maingay eh. Mas extrovert kasi kaming mga bahista. Usually kasi ang gitara pinakarinig mo hindi ba? Ganun din ang drums and vocals. Ang hindi nila (mga tao) alam na ang bass ang nagdidikit sa lahat ng ‘yun. So mas complex actually y'ung trabaho ng bahista. Kasi hindi ka lang rhythm, ang bass player ang puso at kaluluwa ng banda. Sorry pero y'un ang tingin ko.

What kind of warm-up exercises do you do?
Stretching muna ng mga five to ten minutes ng kamay tig-30 seconds each sa braso bago ako pumunta sa paa, tapos runs. Walang scale (counting one to four). Inuulit-ulit ko lang pero mabagal ko lang s'ya ginagawa (as he showed to us how he warmed-up). After n'un major scale muna ako tapos okey na ako d'un. Ang minor scale kapag iniba mo ang root n'un major scale na s'ya. Kaya lahat ng scale nasa isang scale lang, major scale y'un. Depende kung saan ka mag-start d'un lang mababago y'ung tawag sa kanya. Saka lang s'ya nagiging miksilidian, dorian, ionan or whatever.

What's the heart of your technique?
Wala ano lang if sounds good then keep doing it. Basta mahanap mo lang y'ung groove.

What can you tell about your plucking and picking techniques?
Plucking? I just dig it hard y'un lang. Para sa akin ha, you gotta sh*t some skin to get some tone man! (laughs)

What are some of the things that have influenced your sound?
Sa local? Si Buddy Zabala. Oo, ang galing n'yan. Siya talaga ang 'Quintessential Bass Player'. Siya y'ung lets say nasa G silang lahat s'ya nasa B (laughs).

What do you think makes a great bass lines?
Bass lines? Sa akin ha, harmonically independent from the melody. Nakadikit pa rin nandun pa rin ang harmony n'ya. I think 'yun y'ung magaling na power names si Buddy, Paul McCartney. Ang dami kasing bass player sa atin na magagaling, ang problema hindi mo marinig sa album. Si Buddy maririnig mo talaga s'ya.

Do you play pick?
Hindi ako nagpi-pick eh.

What part of your bass playing are you experimenting with the most?
Wala. Pero more often you can practice any scale or any run or slapping, popping techniques or whatever. But what will work best is y'ung pinaka-simple, less is more.

How has your playing attitude changed over the years?
Relax lang. Unlike n'ung bata-bata pa ako tensionado eh. Ngayon wala ng kaba, siguro excitement. S'yempre excited akong tunugtog y'un lang hinihintay ko sa isang linggo ang makatugtog (smiles). Y'ung kaba na baka magkamali ako? Hindi naman siguro.

Where do your bass lines come in when recording an album?
Sa songwriting pa lang. Like sa Bamboo y'ung recording process namin is live eh. Tutugtog kami sabay-sabay. Ang gagawin na lang y'ung vocals over-dub na lang next time or additional guitars but siguro mga 80% to 90% y'un ang ginagawa namin. So kung ano gagawin mo sa recording y'un na y'un. Habang buhay na 'yan (laughs).

How has your bass style evolved through the course of your band's career?
Oo naman. Pero s'yempre hindi ko nakikita kasi ako y'ung nag-e-evolve eh. Na-refine lang siguro but I think ganun pa rin. Ako kasi ay maingay, mainit tumugtog, passionate 'yan (smile).

Which one of your songs gives you the biggest thrill when you're up there on stage?
Walang particular song, pare-pareho lang. All our songs, I think parang baby namin lahat 'yan eh. Of course may araw na 'bro huwag natin tugtugin 'yan, h'wag ngayon.' Siguro kasi depende sa tao, depende sa mood mo kung hindi mo trip.

What's something you've learned lately, either on the road or in the studio?
I've learned lately? Ah...teka muna, nawala kasi gitara ko sa Las Vegas, y'ung #1 guitar ko nawala so kapag nasa States ka bantayan mo talaga ng mabuti. Y'ung mga labelling kasi nasa San Francisco ako y'ung gitara ko nasa Las Vegas. Pero nahanap naman na, pabalik na dito (smiles).

Is there a certain sound that your listeners have come to expect from your band?
Wala naman. Sa ngayon for the last five years nasa isang mode kami. Pero I'm sure for the next album (after their 2008 release) mababago na ang tunog namin. Ngayon ha, parang tapos na y'ung era ng okey rock, makabayan. Ang hirap kasi sa akin iba ang tunog eh, hindi ko alam talaga kung ano ang tunog namin. Kayo ang nakakaalam n'un (smiles).

What musical concept have you had to learn the hard way?
Swing bebop, back to square one ka d'un. Kailangan mo makalimutan y'ung napag-aralan mo bago mo gawin ito. Nagsimula ako twelve bar blues di ba? Johnny B good, nag trash na ako, nag-reggae bigla pagdating ko sa part na ito kailangan ko ulit balikan y'ung twelve bar blues na y'un para matutunan y'ung swing pati bebop. Although y'ung reggae isa s'yang challenge for me.

What non-musical thing inspires you the most?
Lahat ng bagay may tunog eh, paano y'un? It's kinda hard, outside music ano ba? Marshall Arts, y'un lang.

What are your preferences when buying bass guitar?
Kailangan more or less Fender dude. Lahat ng design n'ya like precision bass, jazz bass, after noon nag music man s'ya. Hindi ka na lalayo sa unang design n'ya eh. Meron lang ako naligaw d'yan na hindi n'ya dini-sign. Parang ginawa lang hi-tech, the same ang itsura, same y'ung design hindi lang kahoy.

Your tips when playing bass guitar?
Totoo lang masyadong mataas ang 105 ibaba bila sa 100 y'ung gauge ng strings nila. Karamihan ng mga bahista na sikat hindi 100 y'un 95 'yung gamit nila. Para mas madali tugtugin, magdudugo talaga ang kamay mo d'un.

How many bass guitars you owned?
Marami akong bass, mga fourty sila. Dami ko nga dala d'yan eh (he brought in 3 bass guitars at
the photo shoot).

Usually in recording process which part is the longest to time record between bass, drums and guitar?
S'yempre y'ung drums ang pinakamatagal. Kailangan maganda at maayos ang tunog. Kapag hindi maayos ang tunog mo hindi ka aalis d'un. Bass kasi ang dali i-record, p'wedeng idiretso na, direct vox ka lang okey na y'un. Set up pa lang ng drums umaabot na ng two hours. Pero kung mainit y'ung drummer like me, enough to work with the best drummers in the Philippines. One take lang kadalasan.


♫♫♫

Tuesday, October 5, 2010

BUHAWI MENESIS'S GETS LOW WITH BASE TALKS


At this juncture, it's Buhawi Menesis of Parokya Ni Edgar on board on my record. Meeting him for the second time so close, wrapping up few questions and few more answers won't seems so strange. He wasn't so comically gesturing this time, though few moments from now or after this record, it wouldn't be as true as we are seriously talking of things along the way.

Comfortably cautioned on sits, I've posited how he happened to be hitting low notes rather than anything else. He commenced, “may banda ako dati. Bali yung bahista ng banda ko dati, parang nakatambay lang yung base nya sa bahay. Eh, parang hilig ko lang 'din sya.” 'Till he finally became the member of Parokya Ni Edgar from then and for this long.

It's going so practical about life when assessing that being part of the band, particularly being a bassist also and not bad, makes a good living, “actually, sa part ko, nag-click kami siguro sa tao at may demand. Sa part ko yes, I have sent my two sons in school. As of now, basta i-continue ko lang yung ginagawa namin. Tapus marami 'din akong nakikilala na sa sobrang galing nila sa base at ok naman sila at nag kakahanap buhay sila.” For him it's more on skill and acumen that brings you to a level up of a career with a pinch of luck, “at saka, swertehan 'din. Pero kung magaling na magaling ka, medyo kaya eh, kaya maging hanap buhay to eh.” And he's one of the rests who made it to that point.

Like anybody else who tries to figure out every piece of a song, Buwi is making a point that practice really makes perfect. He testifies, “once na na-practice mo, first practice medyo mahirap, lalo na pag bago yung mga songs. Tapus, sa sobrang dami mo nang practices, like five practices a night. Paulit-ulit lang mahahasa ka. Lalo na kung every day halos yun lang tinutugtog mo, masasanay ka.” It's only this that matters to him, “but when you do other projects and a new song, doon na parang naghihirap. Mahirap lang s'ya kapag bago lang.”

Of all band members the bassist maybe is the less visible if we have to talk about the rest. With Buwi's philosophical epitome, not at all, “dami ngang nagtatanong sa akin, yung mga walang alam sa music. “Anong ginagawa ng base?” “Anong importance ng base?” Sinasabi ko lang yung gaya ng pag bibili ka ng sound system, yung surround. And daming speakers na maliliit nakakalat dyan, pero bakit may isang malaking sub-woofer na importanting kasama mo, na 'di mo rin napapansin pero nasa ilalim mo, nasa tabi mo pero s'ya yung nagbubuo ng sounds. Then kunti lang yung nakakaalam na yung base yung pinakaimportante sa banda na nagbibigay ng groove.” Nonetheless, it's alright for him having a band devoid of bassist, “Oo, ok din kahit walang base ok lang.”

Now we're soaring high on a question, musicians are made or born, more in particular a bassist. Clearing up his thoughts for some moments and digging up clarity he made it to both of the them giving fistfuls of justifications, “oo, nga ano. (Thinking long). I think, bassists are born. Minsan kasi cosmic 'din yan. But not necessarily on my part. Kasi nag-research ako on how to be a good bassist practically and physically. Bassists are really born. Yung mga iniidulo ko, they were born. Actually, destiny lang 'din eh on my part. Napunta lang 'din sa kamay ko, then nahiligan ko lang din.”

Despite the agility and the considerable time spent in playing base, he admits that there are some unexplored horizons on base playing. He's on for some technical improvements, “unang-una siguro technicalities gusto ko rin matutunan yung lumawak yung styles of playing.” But the simplier, her gets more, “pero ok lang na simply lang yun paglalaro ko. Pero never ending talaga ang pag-bibase. I'm still a learner up until now . I'm still a very hungry learner,” and learn more from it. It's all about jazz that he's targeting to play and professionals to play with. Lastly, creativity gives him further ado by creating newer sounds.


TICK TACK TALK


How many base guitars you personally owned since your life?
And from whom they came from? Sa ngayon, currently ten yung nasa bahay ko ngayon, iba't-iba. Each guitar has its own story. Mayroon akong four (strings), five and six, fretless saka upright base. Kumbaga hilig ng bassist na malaro yung iba't-ibang bases. Ang kulang ko na lang is yung mga tipong 12-strings na base na gusto kung magkaroon. Lahat naman yan hindi mahal yung base ko. Kumbaga hilig ko lang, saka na-diskartehan, (nagkaroon ng) discount.

Yung unang-una kung base na nagkaroon ako, galing kay Romel Dela Cruz. Yung unang base ni Romel of Barbie's Cradle. Yung unang-una nyang base beninta nya, tapus ako yun nakakuha.

Ngayon subrang galing na n'ya. He's one of the top bassists, so parang proud ako na wow yung unang base ko yun (galing sa kanya).

Yung unang five-string na nakuha ko, galing kay Karylle Honasan. Ang galing-galing 'din nya ngayon. One of the top bassists 'din ng Pilipinas. Natutuwa ako na yung mga bases ko galing sa iniidulong bahista ngayon.

Isa pa, mayroon akong upright base na galing kay Claire Subijana, professor sa UP College of Music.

Are all of those gifts and presents or you bought them personally?
Lahat nabili ko na sobrang baba ng prize. More than half (yung discount). Parang my blessings din sila sa akin. Yung currently hawak ko ngayon is 6-string wireless na sobrang mahal yun talaga then brandnew, pero bininta sa akin like half the prize. Galing kay (Cocoy), mabait na bahista, dahil gusto n'ya ako ang maglaro noon.

How about few of them abroad?
Yung isang galing sa US, dalawa yung base na dala ko na bigay ng JB Music.

Sa US tour namin nanakawan kami. Sa isang van may nagnakaw na taga doon (mga jologs), lahat ng mga gamit namin na wipe-out. So dalawang base ko nanakaw. Kaso yung producer sinagot. Kinagabihan tutugtog kami, wala kaming mga gamit kaya pumasok kami sa isang music store, pinapili kami para ma-compensate. So kumuha ako ng tatlong base guitar. Na-compensate rin yung lose.

Medyo may sentimental value nga lang yun, pero ok naman eh. Dalawa nawala sa akin, kinuha ko tatlo (grin).

How do you care for a base guitar, for posterity and wellness sake?
Actually from the very start natuto na akong mag basa eh, like books, magazines. Natuto akong mag-alaga ng base. Magpalit ng parts nya. Nagpapaturo ako sa mga matatanda rin. So, ako yun nag-aadjust ng neck, ng bridge, lahat-lahat. Pati pintura. Pero bawat galaw kasi nakakasira ng base. Their came a time na pinapaayus ko na lang, pero ngayun ako na lang.

If you could pick and play another instrument, what would that be?
Drums (thinking, wants to add more)...yun lang drums lang siguro.

Who are your greatest influences in this field?
Yung unang-una talaga si Sid Vicious ng Sex Pistols. Kaso, yun nga si Sid Vis 'di pala talaga marunong, parang attitude lang eh. Tapus napunta ako sa Nirvana, Krist Novoselic. Then na-develop then nalaman ko, yung jazz world na si Jacko Pastorious, Victor Woteen. Doon di lumawak yung (kaalaman/influences) ko. Saka si 'Rocco' Prestia ng Tower of Power.

What other guitar-playing technique you know and played already?
Na-encounter ko na lahat ng techniques pero mas gusto ko sigurong sabihin na creativity na lang. Creativity rules.

What brand of base guitar you use? And do you recommend it for bassist and to-be-bassist like you?
Sa akin kasi kahit anong brand ng base. Sabagay, meron ding yung panget, panget talaga. May mga base na panget talaga yung tunog. Pero depende na rin sa humahawak. Minsan kahit cheap lang s'ya, may potential s'yang gumanda kung marunong yung humahawak. Kahit na yung pinakamagaling na bahista dito sa Pilipinas, o kahit na doon sa abroad, kahit na yun na lang yun base na nandoon tapus ang galing n'yang magpatunog, ayus na rin. Kahit na mahal ang bili mo kung hindi ka naman creative, kung gaya-gaya ka lang, wala rin yun. Kaya ok lang rin kahit na St. Mesa mo binili yan, Lumanog yan, ayos lang.

Becoming an award-winning base guitar player affects your career in what way?
Ayus naman. Sa akin sa age group ko, ayus lang naman eh. Kahit na makilala ka na mag kaawards ka parang pantay-pantay kami. Inaalala ko na lang yung mga batang nakikinig sa base playing ko. I give importance to that.

How do you know that the base-line you've made is already beautiful and record worthy, no more no less?
Yung unang decision, nanggagaling sa akin. Pangalawa, I get from my band mates or from the producer. “Ok na ba yan, am I playing too much, kulang pa ba?” I get the opinions of others.

Which is your favorite base-line among your songs with Parokya Ni Edgar?
Silvertoes nga eh, parang laro lang. Kasi unang banat ni Chito parang love song, parang 'di ko masyadong feel yun yung bagay an music doon so ginanahan ko. Pinalaro ko yung base. Pero favorite ko yung sa Berdie.

What practical advice you'd like to share for a bassist-to-be or those who wants to be like you?
If it's your passion to be a bassist, a good bassist, don't let anybody put you down. Hindi naman sa sobrang bilib ka na sa sarili mo, pero you know that you are doing good, tuloy mo lang. Then, live life to the fullest!


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Monday, October 4, 2010

RIVERMAYA - ALIVE AND KICKING AGAIN WITH "BUHAY"


Generations after generations of Rivermaya proved that the torch of their musical career is still burning blithely, no matter what, members may come and go. Time's letting them fill-in more richness and maturity to the well-being of their music. They're just more obstinate to the philosophy they hold-on to, to the musical idealism and creativity they do. And most of all, it's “life” again after series of unsteady moments experienced by the band. With the new line-up and a completed void, they're just back to life again making things anew.

Their latest full length album “Buhay” heralds Rivermaya's newly brewed musical brainchild. How they come-up with the theme, are handfuls of album titles laid and picked for the most relevant title. Mark started, “lahat kami nagbigay ng kanya-kanyang listahan ng mga album titles. And 'yun 'yung napili. Dahil tungkol s'ya sa buhay namin for the past few years. Minsan nagsusulat kami tungkol sa buhay ng ibang tao. Pero on this album more or less tungkol sa buhay namin, literally (smiles).” It's inevitably their life's experiences that became the lifeblood of the album. Inspired and reminiscent.

Delving more into the heart of the album is the 'newfound freedom' music could ever give, Mark again asserts, “yeah! In many ways, iba't-ibang klaseng freedom 'yung nangyari. Sa kung paano kami magta-trabaho, mag-sulat ng kanta, mag-communicate. At kung gaano kami naging ka open sa isa't-isa. Basically, malaking bagay 'yung communication and with everyone sa staffs, management namin, mga fans.”

Recording is never done any differently. Done with the same collaboration, instrumentation and slight differences. Mike speaks this time, “halos pareho lang 'yung recording process sa nandun kami sa the same studio, which is 'yung 'Birdhouse', studio ni Mark. Batuhan parin ng ideas, kanya-kanya parin, tulungan sa pag set-up ng gamit kung paano papatunugin ang alin. Kung may differences man sobrang minor na lang.” Mark adds up, “ngayon mas maraming nakapag-record sa kanya-kanyang bahay. Minsan nakatulong din 'yung internet, nagbabatuhan din kami ng tracks via e-mail or through technology. Mas napapabilis 'yung trabaho namin.”

Recognizing the logical connection of the songs towards their life is considerable. Mark said, “unang-una 'yung 'Sugal Ng Kapalaran' 'yung single namin. Malaking koneksyon s'ya sa buhay namin hindi lang sa amin pero sa maraming tao, na may the same experience. Tapos siguro 'yung 'Maskara' galing naman sa experiences ng ibang tao. Kapag may na encounter silang plastik na tao. Isa pa 'yung 'Nice To' na track #1 sa album.”

Jayson, the bands new member, seconded, “'yung “Hindi Ako Susuko”. Dahil 'yung character na nandun sa kanta kahit anong mangyari tuloy lang, sige lang ng sige.” Japs, the band's bassist, continued, “siguro 'yung 'Sugal Ng Kapalaran' na rin. Kasi n'ung time na sinulat 'yun actually time ng 'Bagong Liwanag (EP) eh.” Mike, the group's lead guitars, tells his side, “sa akin dalawa eh, 'yung dalawang ginawa ko, 'Pure' at saka 'A.M.' Dahil sinulat ko 'yan para sa dalawang special na tao. Gusto n'yo malaman kung sino?! Ah buy kayo ng album (laughs), nandun sa credits n'ung album.” Mark, the band's drummer butts in again, “para sa lahat ng taong tumulong sa amin last year na nakapawi ng pagod namin. Lahat from friends hanggang sa mga nakatrabaho namin sa 'Bagong Liwanag'. Sa mga kaibigan namin sa industriya, kayo (Pinoymag) at sa lahat ng kumbaga sinandalan namin last year.”

And the nearest to their plate of life is “Sugal Ng Kapalaran” which became their carrier single. Mike explained, “maraming nangyari, kakaiba 'yung k'wento n'ung kanta, angkop sa panahon, well ngayon hindi na. Pero n'ung time na nasulat 'yun, theme song ng buhay namin 'yun. S'yempre ang lead vocals d'yan si Japs at Jayson (he humors) so introducing in his daring role, Jayson Fernandez!”


ON THE RECORD

What made you guys decide that now is the time for a new Rivermaya record and get signed with Warner?
Japs: New Rivermaya record it’s about time. Bale five years na since our last full-length album namin eh.
Mike: (jokingly says) Bakit ba sino ang pumipigil?! (everyone laughs)
Japs: (Answering Mike's question) Wala naman, nagkaroon lang kami ng problema dati, dami nagyari actually. Way back before 2007 pa na alam na ng lahat ng tao. And ngayon lang nagka chance ulit. Eksakto nag sign na kami with Warner Music officially. So 'yun, it's a good time to do an album.

As for Jayson's voice, does he turn extra from any one of you guys or is it his own singing style or in between?
Mark: Iba-iba kami pero siguro si Jayson 'yung may pinakamaraming style sa pagkanta. Japs: S'ya 'yung pinaka totoong vocalist.
Mike: Magaling mang-style 'yan si Jayson (laughs)...sa pagkanta. Mark contineous: Kahit bata pa 'sya 'yung experience n'ya sa pagkanta ay mature na.
Japs: Kahit abta pa si Jayson 'yung experience n'ya...
Mark: Pang magasin (laughs)
Japs : Pang pin-up ba (laughs) ay pang magasin na po (smiles) (on a serious mode): Maririnig n'yo sa album, lahat kami kumanta d'yan pero may ibang songs si Jayson ang nag-lead vocals' yung iba hati-hati.

Did anyone of you guys teach him (Jayson) how to perform a particular song for the album?
Japs: Tinuruan namin s'yang matulog ng maaga, pagkatapos ng gig uwi na kaagad.
Mike: Tinuturuan namin s'ya magdala ng gitara kapag kailangan (laughs) (on serious mode) Turo lang namin sa kanya kung ano lang 'yung alam namin sa pag-record. Kasi 'yun 'yung bago sa kanya. Pero 'yung pagkanta kumbaga bata pa lang s'ya ginagawa na n'ya eh. So wala kaming matuturo sa kanya pagdating dun (smiles). Kami hindi naman talaga kami singers eh, di ba? Kami ay super singers hahaha...joke joke!

Were there any discussions on what single to be released?
Japs: Aah...meron. Mark: Kung ano 'yung options? He ask. 'Yung second single 'Maskara'
Japs: Hindi pa lumalabas ha...
Ayelski: Alam mo maganda 'yung 'Maskara' kasi ang daming plastik sa earth (laughs)
Mark: Marami talaga.
Japs: So hindi lang isa (laughs)
Mark: Ate Flor giggles at the background

About the single 'Maskara' what inspires you to write that song?
Mark: Ano lang 'yun, based on second hand information.
Mike: Hindi kasi dalawa 'yung kamay n'ya, so 'yung second hand n'ya 'yung naka experience (laughs)
Mark: Hindi s'ya seryosong kanta, k'welang kanta 'yan. Abangan n'yo rin 'yung video directed by R.A. Rivera din same n'ung sa 'Sugal Ng Kapalaran' video. Ngayon lang nagkaroon ng ganyan kakulit na video ang 'Maya' . Makulit na kanta tungkol sa mga tao na hindi natin maiwasan. May mga ganun talaga, pero sanay na tayo d'yan.
Mike: Wala namang anyone in particular. Ika nga ni Mark 'Ito'y isang public service announcement lamang, be warned! (laughs)
Mark: Ang chorus n'yan: 'Ngayon mag-ingat sa tao na may maskara'. Japs: So mga modus operandi din 'yan eh, di ba?

How did you pick out the songs that will be included in the album?
Japs: Galit ka ata ah?! (smiles) on me when I've read the question for the group.
Mike: Ang nangyari d'yan ah... (thinkin). Hindi kami pumili, sinama lang namin lahat. Actually, hindi lahat kasi may mga iba na nahuli i-record, 'yun 'yung hindi naisama kasi nakasulat kami for the new album na mga 21 songs. Kaya lang hindi pa namin nare-record 'yung iba. So kung ano 'yung na record na namin sinama na namin lahat. Supposedly, ang lalabas lang 12 to 15 songs eh 16 'yung nagawa namin. Ang lapit na n'un sa 15 di ba? Pinakiusap na namin, isama na natin, so 'yun. Kaya naging 16 songs s'ya sa album.

Is it surprising to you guys that your band has begun to resonate with a much younger audience this time?
Japs: Tingin ko kasi in general bumata rin talaga 'yung crowd eh. Wala rin ata sa banda 'yun eh. Every year naman, pa bata ng pa bata. Kasi s'yempre kapag tumanda ka na, wala ka ng time pumunta sa mga gig.
Mike: At saka actuallyfor the past few years tuwing gig namin may mga nakikilala kaming mga bagong fans na bata talaga. As in 'yung iba ten years old lang, iba mas bata pa nga eh. Japs: Kumbaga 'yung mga dating nanonood sa amin mga magulang. Ngayon 'yung mga anak naman nila. Na impluwens'yahan sila ng magulang nila, parang ganun.
Mike: Siguro bumata lang 'yung banda. Kasi 'yung mga nakikinig talaga ng OPM, karamihan sa kanila bata eh.

What are some great ideas that haven't seen the light of day?
Japs: Wala pa eh, di pa n'ya nakikita 'yung light of day eh!
Mike: Dapat may nude photos si Japs (smiles) Japs: Hindi, great ideas Mike!
Mike: Ah great, great ba? Sorry sorry.
Ayelski: Great ideas nga eh. Ay si Mark na nga lang, hindi ka seryosong kausap.
Mike: (on the background whispering) Hahaha tinataboy na ako ni Ayelski
Mark: Siguro may mga ibang kanta lang talaga na hindi umabot.
Mike: At saka kung may great ideas kami na hindi pa lumalabas, hindi muna namin sasabihin. Baka unahan pa kami eh (laughs)
#16 Mark: He's single and available!
Ayelski: Changes po (smiles)
Mike: Hahaha para lang masingit noh! (thinkin)...Hindi ano bang changes? Now na nandito na si Jayson ano na kami full time na ulit kami sa mga gigs.
Mike: Changes? Bawal kami mag mura sa harap ng mga bata eh.
Mike: Wala eh parang adjustments hindi namin nararamdaman. Meron sigurado pero kasi parang sumaya lang kami ngayon lalo. So kulitan ng kulitan, nakikita n'yo naman kanina di ba? (laughs).

For Jayson, how many songs did you write on the album? Tell us something about your songs? What about Japs, Mark and Mike?
Jayson: Meron lang akong mga kinanta sa album na sinulat ni Japs , Mike at saka
Mark. Kasi n'ung 'Bagong Liwanag' palang nire-record na nila 'yung mga ibang kanta.
Mark: 'Yung mga songs n'ya hindi na umabot dito sa album. Pero part na s'ya n'ung songwriting n'ung sa third tracks sa album na 'Ligawan Stage'. Kasama s'ya d'yan sa proseso nung song na 'yan. (pointing the particular tracks on my list).
Mike: At saka actually, nagparinig si Jayson sa amin ng mga sinulat n'ya. Ako sure ako nakarinig ako ng isa pa, aside dun sa narinig n'yo sa TV show noon (audition of Bagong Liwanag) at maganda. Nagipit lang talaga kami sa oras. 'Yun lang talaga 'yung nagyari. 'Di na nahabol, isa 'yun sa 21 songs na sinasabi ko. So 'yun...next album na lang ulit.

Anything you'd like to add about the album?
Ayelski: Ikaw na Mark, normal kang kausap eh (laughs)
Mark: Ngayon lang 'yan hehehe...On this album na showcase 'yung iba't-ibang kaalaman namin aside from 'yung usual na ginagawa namin. Kagaya ni Japs nag vocals na s'ya ngayon simula nung sa EP namin. S'yempre sa pagkanta kahit sa videos namin eh mapapansin nila iba-iba 'yung makikita nilang kumakanta. Sa 'Maskara' ganun din.

How many songs did you sing on the album?
Mark: 'Yung sa 'Closer', 'Nice To', 'Maskara' and 'Restless'. 'Yung 'Sleep' ako nagsulat pero si Jayson 'yung nag vocals d'yan.

What are your objectives when writing song especially on this new album 'Buhay'?
Mark: Makasulat ng kanta na masarap din tugtugin sa mga gig. S'yempre parang k'wento ko rin lang 'yung mga 'yan. Sana magustuhan n'ung mga makikinig. Makita nila na lahat kami nagsulat even before naman eh. Lalo na ngayon mapapansin nila, naging malaya kaming maglabas ng ideas ngayon.
Mike:Ako kasi kapag nagsusulat ako usually hindi ko naman iniisip kung sino 'yung makikinig except ako. Gusto ko kasi 'yung song ko 'yung ako mismo 'yung mag-e-enjoy makinig. Na hopefully magustuhan din ng ibang tao, pero s'yempre as a songwriter, as a musician di ba meron tayong kanya-kanyang influences na pinapakinggan gusto ko ganun din. Kasi bakit naman ako susulat ng kanta na hindi ko nman gusto di ba? (smiles)
Japs: Objective kong matapos 'yung kanta, 'yun lang (smiles). Kasi kung hindi ko matapos di corrupt. Mabilis kasi ako magsawa sa ginagawa ko eh. Gusto ko kapag may sinimulan akong gawin dapat matapos ko s'ya nung araw na din 'yun.
Jayson: Ako? Basta ano lang maganda sa pandinig ng ibang tao 'yung gagawin kong kanta, 'yun 'yung importante.

Usually what are the themes of the songs you write?
Mike: Iba-iba eh. Parang 'yung title ng album namin 'Buhay'. Pero usually from my personal experiences ko talaga. Hindi second hand, usually ha (laughs) pahabol eh!
What inspires you to write song?
Japs: Usually, classic 'yung mga experience. 'Yun nga 'Buhay' kasi kung mas maraming mangyayari sa'yo mas marami kang masusulat. Pero kahit walang nagngyari sa'yo, p'wede kang mag k'wento n'ung susulatin mo.

Does it influence your sound or your songwriting when you're listening to a particular artist or album?
Japs: As much as possible ayoko makinig ng madaming kanta. Unless meron kang parang gustong mala ganitong kanta, may papakinggan akong artist na feeling ko 'yun 'yung may pinakamagandang peg or something. Kasi kapag makinig ka ng iba-iba maghahalo-halo na s'ya dun..kaya 'yun.

How can you say that people would like your song?
Jayson: Ipaparinig ko. Tipong okey ba 'to or hindi? Kapag hindi gawa lang ng gawa. Basta gusto ko maganda 'yung meaning ng song. 'Yun 'yung objective ko (smiles).


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